Known as a collector and an expert of ornaments
and ethnic fabrics from all over the world, (she has managed exhibitions for
several museums and has collaborated with the historical theatre Bolshoi of
Moscow for the studies of ballet costumes), Giuliana Cella makes her debut
in the fashion world in 1993, solely for passion, gaining immediate success
both with the public and the media.
Defined by the authoritative Financial
Times as "the queen of ethno-chic" for the
creation of her "unique pieces" Giuliana Cella searches
the world over for precious and rare fabrics, bringing them to life with her
Italian tailors.
A free spirit who has found in
travelling the reason for her personal and professional life, creator of
unique and precious designs, Giuliana Cella searches for places that reflect
her philosophy of life, never forgetting the importance of the culture and
communication.
It is for this that she was
first to bring the fashion world to Verdi’s room at the House of
Culture, one of the many historical places of the Italian
culture, which has entertained Brecht, Pasolini, Sartre and Moravia. The
following year her creations were shown at the Chamber of Commerce
in Milan, in the historical Salone Di Vittorio. After this,
the Spring/Summer 2001 collection was presented in the
courtyard of the new showroom in Via Borgonuovo 12, in the presence of the
most illustrious names.
Giuliana Cella introduced her
Fall-winter collection 2002, inspired by the 18th
century Russian platoks, at the famous Sotheby’s
auction house in Milan. Amongst exceptional historical testimonies, the
aviary created by the famous director Franco Zeffirelli
for La Traviata and paintings belonging to
Caterina of Russia.
The shadows and the faint light
of the Museum Bagatti Valsecchi (in a moment that
imposed a deep and profound reflection on the tragic events that
destabilized the world equilibrium) seemed to Cella the ideal location to
show her Spring-summer 2002 collection with a rigorous
technical preparation. The Bauhaus laboratory, the
German architectural currant in which the fabrics of the 1920’s began to
cover an important role in the global vision of design and style of life,
inspired her collection.
A perfect scenery for her
Fall-winter collection 2003 was the splendid frame of the
eighteenth-century building, Palazzo Bocconi; a reflection of the
entrepreneurial middle class values that gave the creative impulse to Milan
and that today you can find in the daily couture of
Giuliana Cella, archetype of a artisan fashion, not industrial, which
contains in itself a value and tells a story.
Giuliana Cella presents
Summer collection 2004 at the historical Bar Jamaica.
Point of reference of art and culture in the heart of Milano- Brera
With the attendance of
Alicia McKenzie, Jamaican writer winner of
Commonwealth Award
On February 2004 ,For
the first time the European Parliament in Bruxelles
opens the doors for the fashion show of Giuliana Cella .
The exhibition combines 10 years
of the activity of this exceptional creator who invented the " Ethnic - Chic
".

Fashion for the first
time at the European Parliament:
Giuliana Cella presents
"Textile Atlas"
For the first time the European
Parliament in Bruxelles is opening the door for the personal exhibition of
Giuliana Cella. Open from 16th to 20th February, the
exhibition combines 10 years of the activity of this exceptional creator who
invented the " Ethnic - Chic ". The exhibition unfolds like an enormous fan
of maxi collages. Giant pages collect notes, fabrics , photographs, travel
notes, precious rarities. These worlds geographically and historically so
far away, which Giuliana Cella has brought to the Occident and translated
into her inimitable creations: to the aura of unique piece . From Rajastan
to Jamaica from Punjab to Provence each screen is a journey, in which the
thought runs along the warp and weft from one continent to another. Each
canvas becomes therefore a "Textile Atlas ". The volume of a sequence which
describes the work of a stylist without the narcissism exposing her dresses.
A " geography " never seen before in fashion, which through its unitary
valence finds its "paging " within the European Parliament walls.